A woman chases the elusive, fleeting spectre of her unborn child before a molten and turbulent sea. The triangulation between mother and son, the ocean body, and the materiality of the film medium is encouraged by numerous bacterial and photochemical techniques such as ray-o-gramming, processing in seawater and urine, chemical toning and reticulation, mulching film in seaweed and sand, and under-water photography. Sound design by Jim Batcho. Originally presented as a 2-projector, live performance piece.
Perfect images, like perfect waves
cannot be grasped
only glimpsed
in the flow of liquid and light.